Julie Comnick, PC art faculty 4th from right, led an excellent panel discussion with exhibiting artists. Annie Lopez, Phoenix artist on left, is discussing her process on Saturday, Sept 5, 2015. The event was well-attended by local supporters and artists from around Arizona. 

Southwestern Invitational 2015 opening reception, Yuma Art Center, April 10, 2015. 

This small constructed painting, 12.5 x 14" is loosely based on a watercolor study and a photograph of a creek area. The large rocks are made of carved styrofoam wrapped with paper and painted with acrylics. A metal offset plate was cut and painted to represent tumbling water. This was the first of the small constructed paintings, and I found a freedom in working at this scale. It allowed me to be more experimental than I might be with the larger constructions.

I've been working on new digital compositions that include astronomical images from the Hubble Space Telescope. The image on the left was developed in Photoshop. It combines watercolor studies and photos of a beautiful pool along the North Crestone (CO) Creek with the NGC6384 Spiral Galaxy. This one has taken over a year, working on and off, to integrate both earth images and sky images in a composition that honors the differences as well as the unity of earth and space. 

I decided to play with smaller constructed paintings. This one, based on the image above, is 12.5 x 14.5", 2 layers of Plexiglas. There is a freedom that comes from working with smaller elements.

The side angle view gives a sense of the dimensionality of this piece.

This image was completed for the YC Alumni Exhibition in April. I used Photoshop to combine elements from two watercolor studies from Surprise Springs, near Granite Basin Lake, and a portion of the Carina Nebula in the southern sky. 

I am often asked to describe the artmaking process for my work. It usually begins with a personal experience of "place", as is certainly the case for the constructed painting above, Presence: Enter. 

For the past 5 summers I've spent time in solitary retreat at Nada, a Carmelite Monastery at the base of the Sangre De Cristo Mountains near Crestone, Colorado. My weeks there include beautiful hikes into the mountains where I carry a sketchbook journal and my camera.

Presence: Enter began as I hiked the North Crestone Trail a few summers ago where I found this beautiful little place that was filled with late afternoon light. It reminded me of places where I played as a small child, so out came the sketch journal. 

It began as a line drawing in my journal using a micron pen. This process is a meditation of sorts, allowing the pen to move as I respond to the sense of place before me. In this case, I took photos and then added watercolors to the study afterward. In general, this seems to work better for me than attempting to do watercolors in the field, which I find to be an unwieldy process. 

Along with creating watercolor studies and photos, I developed a digital image using Photoshop. It's quite exciting to be able to try variations of an idea in order to discover the most dynamic image. I consider these archival prints to be finished works of art in themselves. This particular digital image was then scaled up and used as a guide for the large constructed painting on layers of plexiglas.

The following images show the progression from the digital image to the constructed painting.